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EXHIBITIONS + ART

Artist Profile

Art of Ink, 1999 Los Angeles
The Art of Ink International Society (AIIS) is a group of calligraphers dedicated to the appreciation of contemporary calligraphy.AIIS works to promote understanding of different cultural expressions of calligraphy and facilitates dialogue between traditional and new styles. Frequently exhibiting with this and similar groups.
CODE Club, 1997 Tokyo
"Be what you would seem to be" Installation for first month of opening.
Sho and Tell, 1995 Osaka
Gallery Kamigataginga, Osaka.
Sho me the Way, 1995 Tokyo
  • Las Chicas Gallery - Morphe '95 Event
Alien Mentality, 1997 Sydney
Gai-Shin meaning Doublemindedness or Foreign Heart/ Alien Mentality. Michael Nagy Fine Art, Potts Point. Showing the Coffee Ceremony collection. Folding screens, 4 Scrolls and zabuton cushions. Below: Nagy invitation.

Exhibited Pieces

The thing that makes an Inkslinger original unique is the squiggly brush writing found somewhere in the artwork. It is almost always English alphabet calligraphy which looks like Chinese or Japanese. Just like Asian scripts, it is read from top to bottom and right to left.
"Happy day, don't you?", Ink on washi mounted on mizubari, A3 size, 1993
Poem on six panels: "Andy's Gone with Cattle", Homesick, 1993
"We Love the Opera House" (List of ten quotes describing the Opera House.) Ink on Paper, 55 x 80cm, 1992
"But I'm not so think as you drunk I am" > Sir John Squire. Hari-e and ink mounted on panel 52 x 73cm, 1997
3 Panes Series. Pain of Love/Kokoro/heart mind spirit Pain of The End is the Beginning is Pain of Truth/Shin/Makoto Perspex sandwich framing, Large calligraphies Washi Sumi, 1997 Michael Nagy Fine Art, Sydney
Drizapoem - "The man from Snowy River" > Banjo Patterson. Inscribed onto a real-size oiled rice-paper Drizabone(tm), Homesick 1993
Me Nashi (No Eyes) Merissa Dreaming, Handmade paper, ink paint, hankos, 60 x 85cm Homesick 1993
"There's more enterprise in walking naked" > W. B. Yeats. Mounted on panel 52 x 73cm, 1997
Three handmade paper lamps, 1994
Tokonoma-no-mono 1995. - Objects to replace the tokonoma alcove, which are multifunctional. Moonlight with 4 seasons artworks and an ikebana vase. Starlights with 4 seasonal haiku panels and an ikebana vase on a shelf. Change the art and the flowers - use this if you don't have a tokonoma space or a tatami room.
"36 views of Ayres Rock" (After Hiroshige's 36 views of Mt. Fuji) Ink and watercolour on paper, A1 size, Homesick, 1993
Folding Fly-screen. Ripped and patched like a traditional shoji paper screen. The quote is Australian advertising jingle "Louie the fly". Wood, washi, paper, ink & nylon mesh. Homesick, 1993
"An eel a day keeps the doctor away" > Japanese Midsummer proverb, we say Apple a day... Hari-e and ink mounted on panel 52 x 73cm, 1997
East/ West Series. 4 Pairs of Feng Shui inspired works - Metal/west/city and Leaf/East/country framed with small calligraphy. 1997 Earth (Chi): Resource/Spirit Wind (Kaze): Fashion/Breeze Fire (Hi): Destruction/Rebirth Water (Mizu): Views/Life
Setsu-Ge-Ka, Kiki Exhibition, Gallery Ku, 1995 Odawara, Japan.
"What does it all mean", Ink and watercolour on paper, A3 size, Homesick 1993
"Love" or Kokoro, meaning heart/mind/spirit love. Ink on washi, silk mounted on mizubari (wooden panel), 1996
Soba; Rice ball; Tea (Square, triangle, circle - the 3 perfect Zen enclosures) Panels of shoe cupboard doors designed to look like a folding screen. Sumiroku, Aoyama. 1998
"Sacred cows make great hamburgers" > Robert Reisner. Hari-e and ink mounted on panel 52 x 73cm, 1997
Salaryman Dreaming - Moku/Silence and Kan/Scream. Carving and dot paint on timber, reverse sides plastered with notes about voicelessness and the frustration of conformity. Homesick 1993
Poem for Scattering my grandparents Ashes at Wentworth Falls, Panels, 1996

List of Exhibitions


SOLO 1993.7 Turning Over a New Leaf. Hanacho Ohanazaka, Umegaoka, Tokyo.1993.10 Celebrate Australia - Homesick I. Kreisel Forum, Akasaka, Tokyo.1993.11 Celebrate Australia - Homesick II. Wisma Gallery, Jingumae, Tokyo.1995.11 Sho and Tell. Gallery Kamigataginga, Osaka.1995.12 Sho me the Way. Vision Network Gallery, Jingumae, Tokyo. Morphe'95.1996.12 Eat, Drink, and Inkslinger. Las Chicas, Jingumae, Tokyo.1997.5 Gai-Shin: Alien Mentality. Michael Nagy Fine Art. Sydney, Australia.1997.10 Sacred Cows Make Great Hamburgers. Gallery APJ. Harajuku, Tokyo.1998.1 Be What You Would Seem To Be. Code Gallery. Shinjuku, Tokyo.1998.6~ Sumiroku Restaurant (Permanent Collection) Aoyama, Tokyo
SELECTED GROUP SHOWS1994~7 The International Calligraphers Association Exhibition. Tokyo Metropolitan Museum of Art. Ueno, Tokyo.1994.10 Living With Wood. Odawara, Japan1994.11 Recognizing The Republic. Michael Nagy Fine Art. Sydney, Australia.1995.1 Kiki. Gallery Ku. Odawara, Japan.1996.9 Message From The Forest. Odawara, Japan.1996.8 300 Artists for Aids. (Charity Auction)1997.10 Celtic Art Now. ASIZ Gallery. Aoyama, Tokyo.1999.4 '99 Moolpha/Neowave. Doul Art Centre. Seoul, Korea.1999.10 Art of Ink in America. JACCC Diozaki Gallery. Los Angeles, USA2000.5 Art of Ink in America - 2000: International Contemporary Calligraphy The Newark Museum. New York, USA2000.10 Art of Ink in America - 2000: International Contemporary Calligraphy National Taiwan Arts Education Institute. Taipei, Taiwan.

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art@inkslingerart.com
Po Box 56, Waverley, NSW 2025 Australia
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